Road House Review: This Remake Amps Up the Action The New York Times
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To Liman and the screenwriters’ credit, the shift from cartoonish action to drama-with-moments-of-heightened-action feels modern and fresh without completely eschewing the spirit of the original film. Those behind this film clearly have affection for the original but it’s not the religious devotion to source material that has killed too many remakes to count. "I think we had an incredible stunt team on this film that’s just one of the best," he adds.
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One element that didn’t work in the original film — the romance between Dalton (Swayze) and “Doc” (Kelly Lynch) also falls flat here, unfortunately. In both films, Dalton and Doc engage in a type of instalove, where the audience isn’t privy to too much of the couple getting to know each other and growing closer. But it becomes more of a problem in the 2024 version, as female lead Daniela Melchior (“Fast X,” “Guardians of the Galaxy Vol. 3”) delivers a slightly unexpressive and serious performance. When we meet former UFC fighter Dalton (Academy Award nominee Jake Gyllenhaal), he’s no longer fighting professionally and is flirting with the idea of ending of his life. This might seem heavier than you’re expecting but Dalton’s brief low moment is well-calibrated.
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The original Road House famously saw Swayze’s James Dalton agree to leave his gig as a “cooler” at a New York City bar to take on a job as the head of security for a Jasper, Missouri bar with a bit of image problem. The remake, however, will leave the “Show Me State” and be set at a similar establishment down in the Florida Keys, according to Variety. McGregor is leaving the door open for more movies, but his focus is returning to the octagon, hopefully for UFC 303 on June 29. But he is certain that Gyllenhaal nailed his portrayal of a UFC fighter. “He was tremendous.” But McGregor’s pick for the castmate who would fare best in the ring is Jessica Williams. The character was intended to be “a flash in the pan” and quickly eaten by a crocodile, he says, something he found out on a Zoom call with the director on McGregor’s yacht.
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The production just crossed a major milestone, meaning we're likely to be seeing Gyllenhaal as a bouncer keeping the rough and rowdy in line sometime soon. "My job as an actor, especially on Shrinking, is to make everyone look good by knowing what the hell I’m doing on set. I love volleying, and I got to do that with Jake." Gyllenhaal plays Dalton, an ex-UFC fighter who "takes a job as a bouncer at a Florida Keys roadhouse, only to discover that this paradise is not all it seems," per a synopsis. The actor, 43, stars in the first trailer for Road House, a "high-octane, adrenaline-filled reimagining" of the 1989 Patrick Swayze movie.
Storyline
Williams, known for her role in Shrinking, spoke to Variety in June about Gyllenhaal in the new film, saying, “It was so cool working with him. "I'm thrilled to put my own spin on the beloved Road House legacy,” Liman said in a previous statement. “And I can't wait to show audiences what Jake and I are going to do with this iconic role." McGregor is used to fighting all out at full speed in the UFC, which took some adjustment when choreographing fight scenes with Gyllenhaal. "He’s definitely kind of the stillest, and most confident in his stillness, that I’ve ever played," Gyllenhaal said. "One of the things I took from the original film and from Mr. Swayze was this kind of real confidence in observation.
Swayze’s Dalton was also haunted by his past mistakes but that film’s lighter atmosphere isn’t conducive to too much emotionality. Since Liman’s film, with a script by Anthony Bagarozzi and Charles Mondry, streamlines some of the original “Road House” campiness, there’s some atmospheric wiggle room for Gyllenhaal’s Dalton to show us what he’s feeling and to sit in it. For his “reimagining” of the story, director Doug Liman (“Mr. and Mrs. Smith,” “Edge of Tomorrow”) keeps most threads from the original film while altering some of what doesn’t work in the campy neo-Western. "That’s what the big bar fight is about. It just starts and there’s no sense. And of course, it wouldn't be "Road House" without some wild bar fights. Gyllenhaal says he feels there is one characteristic that defines an entertaining and cinematic bar brawl.
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Directed by Doug Liman, the upcoming “Road House” movie is based on the ‘80s cult classic of the same name starring Patrick Swayze as a bar bouncer with a violent past. Daniela Melchior and Billy Magnussen are also among the cast of the “Road House” revival. Oscar- and Tony-nominated Gyllenhaal founded Nine Stories in 2015 with Riva Marker, a fully capitalized production company dedicated to working with visionary storytellers in all fields.
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In the original, Swayze is a New York City nightclub bouncer — or "cooler" — hired to provide security at the seedy Double Deuce, a road house in Missouri. "It was the reason I wanted to do it," Gyllenhaal tells TODAY.com about that scene. "The first line where he says, 'Do you have insurance?' I think, to me, is a genuine question, and it really made me laugh. (That whole sequence) is the reason I wanted to play the character." Road House updates a cult classic for a new generation, happily replicating the original's emphasis on cheesy brawn over narrative brains. Gyllenhaal and Hieron also faced off in the ring, pretending to dodge and pummel each other as the director called out cues and the audience went wild. Another clip from the event shows a camera crew following Gyllenhaal as he strutted into the arena wearing UFC warm-up gear.
Casting
Most recently, Nine Stories produced Antoine Fuqua’s The Guilty, starring Gyllenhaal, which was Netflix’s No. 1 film for more than three weeks. Instead of being a “cooler” with a checkered past, Gyllenhaal’s character in the remake will be a former UFC fighter who somehow manages to get a job at that rowdy Florida roadhouse. How he ends up there will surely be fleshed out in time, but for right now, the idea of a former UFC fighter running security at a raucous dive bar sounds pretty, pretty good. Back in November 2021, Deadline revealed that Jake Gyllenhaal would be stepping in as the lead, taking on a version of the role made famous by Swayze nearly 35 years ago. A little less than a year later, the outlet also reported that former UFC Champion Conor McGregor would be making his acting debut in the upcoming feature film, though his character’s identity has yet to be revealed.
Footage from the event shows Gyllenhaal staring down and swatting at Hieron as part of the intense sequence. Released in 1989, the film starred Swayze as the world’s greatest badass and the world’s most meatheaded philosopher, who works as a “cooler” for higher; basically a bouncer who travels from bar to bar, getting rid of riff raff. It was basically the original Bar Rescue, but instead of changing the menu or the decor, Swayze kicked dudes in the face without a shirt on. It’s an extremely silly concept, but it’s also extremely entertaining. Apple TV+ has moved up the premiere date for Presumed Innocent, its upcoming limited series starring and executive produced by Jake Gyllenhaal. This unconvincing romance, however, is perhaps the sole element that really doesn’t work with the story’s tonal shift.
According to an interview with screenwriter Miles Chapman on "Bulletproof Screenwriting Podcast with Adam Ferrari," the sequel was hampered by its low budget and ultra-quick shooting schedule. "Day 1. Road House," the accounts posted along with the photo of the smiling star and director, both of whom have plenty of experience in the action genre. Gyllenhaal is fresh off of Michael Bay's "Ambulance" and Liman has delivered massive hits in the past like "The Bourne Identity" and "Edge of Tomorrow." The Prime Video Twitter account teamed up with the official MGM account to post an image of Jake Gyllenhaal and Doug Liman from the set of "Road House," revealing that filming is officially underway. For anyone who thought Gyllenhaal's remake may go the way of Rousey's, there is good news.
That sense of calm is offset by the maniacal henchman played by UFC star Conor McGregor, 35, in his first acting role. "He’s a character that stays still and watches until he can’t any more, really. And I love that about him," he says. "And I also think his intention in the end always, even in that first fight, is to help people out, which I love about him." Dalton’s unorthodox kindness after a brutal confrontation jumped out to Gyllenhaal, 41, when he was considering starring in the remake of the Swayze classic, which is directed by "The Bourne Identity's" Doug Liman. Though Rousey would go on to find tremendous success with WWE following the end of her UFC career, it’s a shame that the ass kicker, who is obsessed with Road House, never got her shot. While filming that first scene, McGregor kept brawling, unaware they weren’t being filmed.
The mixed martial arts community had a lot more eyes on it in early March 2023, when Jake Gyllenhaal made a couple of appearances in the lead-up and during UFC 285 in Las Vegas to film scenes for the upcoming movie. The first took place the day before the event when the actor, in character, took part in a weigh-in, as seen in a video shared by the official ESPN MMA Twitter account. The 1989 Road House is a cult classic written by David Lee Henry and Hilary Henkin and directed by Rowdy Herrington. In the film, Swayze plays James Dalton, a professional "cooler" who arrives in a small Missouri town to take a job at the Double Deuce, a rowdy roadhouse with non-stop fights and out-of-control guests. Dalton soon learns that the nearby town is run by business magnate Brad Welsey (Ben Gazzara), who is an all-around horrible human and trying to sabotage Dalton's efforts.
“And then I thought, ‘Jeez, I'm not an actor here … It's going to stand out really obvious that I’m the new guy, or I just don't know what I'm doing. The first scene the two shot together is seen in the trailer when Knox headbutts Dalton at the bar. By creating an account, you agree to the Privacy Policy and the Terms and Policies , and to receive email from Rotten Tomatoes.
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